The Baglioni Chapel in the Church of St. Maria Maggiore - Spello
The chapel contains the artist’s self-portrait, a provocation to the self-portrait by Pietro Vannucci, called Perugino, another great artist from Perugia: Bernardino figures with the face of three quarters, hollow features nearly suffering, but proud.
The frescoes of the chapel recount episodes from the life of Mary according to a technique and a descriptive efficacy able to combine the strictness of space and the perspective of the 15th century with the taste and attention to detail, to anecdotal detail and to shades of colours which always surround the main theme: episodes of everyday life, clothes, hairstyles, decorations, floral and vegetal items.