Church of Santa Maria Giacobbe

The hermitage of Santa Maria Giacobbe in Pale

Amidst the rugged rocky peaks of the Sasso di Pale, a picturesque mountain near the town of Foligno, stands the Hermitage of Santa Maria Giacobbe, a place that captures the attention for its austere beauty and a history intertwined with legend.

Its discreet structure, set in a ravine of bare rock, includes a small church and the surrounding spaces, intended for the hermits’ life. Although access is challenging, the place has an aura of mysticism and spirituality, enhanced by its fascinating history.

Its origin is linked to the legendary arrival of Saint Mary Jacob, mother of the apostle James the Less, one of the three women who witnessed the crucifixion. Tradition holds that after the resurrection, Saint Mary Jacob retreated to one of the caves of Sasso di Pale to embrace a life of prayer and penance. The growing veneration of this place, where people began to recognise the miraculous hand and footprints left by the saint in the rocks of the steep slope leading up to the sanctuary, was the basis for the formation of the cenobitic community that founded the hermitage of Santa Maria Giacobbe in the 13th century, which probably fell under the influence of the nearby Abbey of Santa Croce di Sassovivo.

The hermits lived here until the beginning of the 20th century, when it was gradually abandoned. Only one hermit remained there until 1963, the last witness to the lively devotion paid to the sanctuary, especially by the Pale community, who made pilgrimages to bathe in the miraculous waters collected in the well in the small courtyard inside the hermitage. In particular, the waters were attributed curative powers for rheumatic pains, a common ailment among the inhabitants of Pale and Belfiore, many of whom worked in the numerous paper mills that thrived in the area in the past thanks to the presence of the Menotre waters, remaining active until the early 20th century.

Even today, the Hermitage of Santa Maria Giacobbe is reached in procession on Ascension Day and on 25 May, when the community of Pale returns to venerate its patron saint in this solitary hermitage carved into the rock.

The Church of Santa Maria Giacobbe

The small church attached to the hermitage, built around the second half of the 13th century, is entirely frescoed. Some of its paintings are particularly striking and interesting, while others are rather late votive paintings.

The large tunicked Christ on the left wall and the Nativity painted on the right wall are certainly the most interesting paintings.

The most enigmatic and mysterious image in the church is the figure of the tunicked Christ, which reproduces the Holy Face of Lucca (14th century) in a very unusual way. This depiction differs from the original in that Christ is painted with only one chalice, but with his feet immersed in two differently shaped chalices, symbolising the Old and New Testaments. The chalice in this famous depiction has been interpreted as an iconographic reference to the legendary Grail, and its presence in the church has given rise to compelling theories suggesting a connection to the order of the Knights Templar, further amplifying the fascination of this sacred place.

The Nativity scene is set in a rock cave, with the kneeling saint dressed in green with a white apron representing Saint Mary Jacob who, acting as a midwife, holds the Child Jesus above a chalice-shaped basin.

In the background is another frescoed image of Saint Mary Jacob, depicted holding the ointment jar with which she had gone to the Holy Sepulchre, an attribute that symbolically identifies her as a witness to the resurrection. The frescoes on the apsidal wall of the sanctuary are much deteriorated due to the continuous removal of plaster fragments, used to prepare potions for healing purposes.

A door on the right side of the apse gives access to a small courtyard with a cistern for collecting rainwater, used by the hermits for domestic purposes and by devotees for medicinal purposes. In the room adjoining the church are numerous votive offerings, mostly painted tablets, testifying to the graces received by the faithful.

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