The restored interior of the Glass Museum is arranged in three large aisles, enriched with precious artifacts and works entirely made of glass.

Glass Museum

A precious and ancient history: when glass was made in Piegaro

The Glass Museum of Piegaro is located in an ancient factory, no longer in use since 1968, in the historic center of the village. The fascinating industrial archaeology building testifies and narrates the importance of glassworking for the Piegaro community. According to some documents, this craft has been practiced in the small town since the Middle Ages. It was likely promoted by the presence of a community of Venetian master glassmakers, the proximity to the Orvieto Cathedral construction site, and the abundant forests in the area, which provided the necessary fuel for the glass furnaces. The first documented reference dates back to 1321, when the glassworks received an important commission from Lorenzo Maitani, architect of the Orvieto Cathedral, for the supply of glass tiles for the cathedral windows, an evident sign of a flourishing and high-quality production. In the following centuries, Piegaro glassmakers provided colored glass for the mosaics of major cathedrals in Perugia, Milan, and Bologna, while also producing common objects such as glasses, pitchers, and flasks. The production of these flasks became a hallmark of Piegaro, with the final product requiring a secondary process of straw wrapping, carried out by women and children in the village, providing an important source of income for many families. At the beginning of the 19th century, the glassworks were going through a difficult period; it was the Marquis Misciattelli, who married Cunegonda Cocchi in 1815, heir to the family that owned the glass factory, who gave new impetus to the production (the museum, among other things, preserves the couple's wedding set: precious engraved and painted glassware bearing the family crest). Misciattelli introduced semi-industrial production through the use of machinery, reorganized the marketing with more modern methods, and brought crystal production to very high levels, so much so that in 1861, at the Italian Industrial Exhibition in Florence, the Piegaro glassworks was awarded the silver medal. The glass factory remained in operation until 1968, and though production has decreased, it continues outside the town walls. In 2009, the old factory was restored and repurposed into the Glass Museum by the local administration.

This rich history and much more are on display in the museum’s three floors, showcasing the various glassworking processes, historical artifacts, and documents. The former factory offices now serve as conference rooms for events, craft courses, and educational workshops. In the basement, a viewing window reveals the remains of a molten glass stream, once red-hot and now turned into a shimmering green emerald mass, remnants of the factory’s final productions before it closed. Today, it looks like a cascade of precious stones in a green and transparent sea, but once these spaces must have been more like infernal caves, dark from the smoke and scorching due to the extremely high temperatures (at times reaching up to 1400 degrees!) despite the high ceilings. One can almost feel the heat and hear the workers’ laborious efforts, producing the valuable glass objects we admire today.

Email: museodelvetro@comune.piegaro.pg.it

Website: Visit the website

Useful information and accessibility
Useful information:

E-mail: museodelvetro@comune.piegaro.pg.it

Phone: 075 8358525 (museum) 366 9576262 (museum) 392 9191825 (Infopoint in Panicale)

By calling the Infopoint in Panicale, you can request information and book guided tours, as well as request assistance for the opening of the secondary entrance accessible for people with disabilities. Admission is free for people with disabilities and their companions.



How to reach the property:

The museum entrance is located in an area without parking.
People with disabilities are advised to use a free parking area located on Via Garibaldi, about 100 meters from the accessible entrance of the museum. From there, to reach the accessible entrance, you continue on foot along Via Commercio. The surface of the connecting path is made of level concrete slabs, with a gradient of 3%.
The entrance to the museum path is located on the lower level of the structure (level -1), and the usual route to access it, once you pass through the gate and a courtyard, involves going down a flight of stairs with handrails on both sides.
There is an alternative accessible route for people with disabilities, which allows direct access to the museum while avoiding the stairs and entering through a secondary gate located in front of the main entrance (at level -1).
To open this secondary accessible entrance, it is necessary to contact the Infopoint in Panicale in advance.



Moving around the facility:

The structure housing the museum path is the old glass factory purchased and restored by the municipality.
The building and its exhibition route are spread over three levels.
The main entrance to the museum area is on Via Garibaldi, at ground level, and has an opening with an iron gate.
On the lower level (-1) is the entrance to the building and the start of the exhibition route.
The opening of the gate and the entrance door to the museum (level -1) have a passage width of more than 80 cm. The entrance door to the museum features a threshold with a height of 4 cm.
In addition to the internal stairs, which lack handrails, the museum levels are connected by an elevator platform.
The cabin has a door that is 84 cm wide, located on the short side, with a depth of 122 cm and a width of 97 cm. A support handgrip is present. The button panel has numbering in Latin characters and in Braille.
The exhibition path features an irregular planimetric layout, resulting in various internal level changes connected by ramps with varying slopes and surfaces.
In particular, the ramps have different levels of difficulty for people with motor difficulties, related to gradient, length, and surface: the slope varies from 7% to 20% up to a section that reaches 27% and extends over 150 cm in length. There are no support handrails, and the flooring is made of wooden planks or bricks.
There is an isolated step and some sections with reduced passage height. These obstacles have corresponding danger signs.
The rest of the path features original flooring made of uneven stone blocks that are not perfectly smooth or level. In particular, a section of the path on the second underground level presents difficulties for people with motor difficulties due to the irregular surface.



Use of contents:

Inside the Museum of Glass, visitors can find a panel with a description of the structure in Italian, English, and Braille for blind and visually impaired individuals, as well as a QR Code and NFC technology that allow access to video descriptions, with subtitles in Italian and English and in LIS (Italian Sign Language) for deaf and hard-of-hearing individuals.



Toilet features:

The restrooms are located on the second underground level, to the right of the stairs and to the left of the elevator platform. In the anteroom and the restroom, the doors have a passage width of over 80 cm. There is the possibility of frontal or lateral access to the toilet for a person in a wheelchair. Support handrails are not present.



Museo del Vetro LIS
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